Sometimes the place where a novel is set can play such a big
part as to assume the mantle of a character. The best example of this I can
think of is the Fry and Cooper series by Stephen Booth where the Derbyshire
countryside plays a massive part of all the novels.
Once a location or setting has been decided upon it will
influence lots of other factors such as character names (You don’t get many
Jock McTavish’s in rural Italy ),
dialect and the social standing of the characters.
When authors get it right and there are no silly
inconsistencies like a stockbroker living on a sink estate or a petty thief
owning a country house then everything about the novel just falls into place.
Sometimes a limited area like Nakatomi Tower
or the ship itself in HMS Ulysses can crowd the action and characters together
to ensure that the pace of the story keeps the reader gripped and thus the
pages turning. HMS Ulysses in particular with the constant threat of being sunk
by u-boat wolf packs or the shadowy presence of the Tirpitz (a feared German
battleship) envelops the reader in the claustrophobia of a ship at war in the North Atlantic . On the other side of the coin the
sweeping African plains gave Wilbur Smith a perfect setting for his novels and
his obvious love for the country shone through every descriptive phrase.
My own story Suburban Combat was set in a leafy cul-de-sac
and I had to make sure that I didn’t use foul language or slang terms when
writing the dialogue as it would have been totally wrong coming from characters
who lived in such a suburb.
Any examples of novels or short stories where the setting or
location becomes a character would be gratefully received in the comments.
Graham - amused by your comment re foul language and leafy suburbs. I knew someone who lived in Windsor and was posh enough to be one of the folks who wrote the Queen's christmas cards for her. Her oft-repeated 'made a complete dogs-bollocks of' in a VERY county accent never failed to sound incongruous.
ReplyDeleteGreat reading your bllog post
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